Aling Irma
Bunachita is one of the few remaining fine jewelry makers of Dauis.
Unbeknownst to many visitors and tourists, in Dauis, one
of the two municipalities comprising Panglao Island, and one of the oldest
municipalities of Bohol, there is an industry probably as old as the town
itself — fine jewelry making.
Aling Irma,
to this day, continues the colonial tradition of hand-making jewelry from which
she creates fine pieces of jewelry using the traditional “stamping” technique
that she had learned from her mother and grandmother. They, in turn, learned from their
ancestors.
However, Aling
Irma claims that jewelry making in Dauis is no longer as lucrative as it used
to be. During the 1980s, the number of fine jewelry artisans dwindled to
less than 100, and even less nowadays. Most
of these skilled jewelry makers had left for Cebu and Mindanao for better
opportunities..
One of those
who chose to remain in Dauis is Aling Irma.
And she has even made it her life’s mission to carry on the tradition by
sharing her knowledge and skills to anyone who wants to learn.
Aling Irma
Bunachita was recently appointed as the chairperson of the Dauis Jewelry Makers
Organization.
History of jewelry-making in Dauis:
History has
it that the island adjacent to Dauis, which was known as Bool (where the
province got its name), had a quite a thriving pre-Hispanic kingdom. When a
datu passed away, his body and his worldly possessions were carried across the
island and buried in the present-day location of Dauis.
Later on,
sometime in the 1600s, when the Spaniards came and established the town of
Dauis, people started digging the area so they could build their houses and
they would find gold everywhere.
Being organized that they are, the Bol-anons would keep the treasures to themselves.
They would scarcely use the gold nuggets to buy the things they need, and
instead, they would just hide them in their baul.
But when the
Spanish regime ended, they realized that they couldn’t use the gold nuggets as
monetary tools anymore because the American government had already issued new
currency. And when one had amassed such a huge quantity of gold, what else was
there to do but melt them and create fine pieces of jewelry; hence, the birth
of the jewelry industry in Bohol.
According to
Aling Irma, the pieces of jewelry were used not just solely for aesthetic
purposes, but as a way to propagate Christianity during the Spanish era. The
friars condemned the indigenous amulets and talismans and started replacing
them with devotional jewelry such as the crucifix and the rosary.
While the
Filipino Christians wore them as an act of faith, the plateros (jewelers)
believed it was no less an act of faith to create them. Aside from having a
ready market, it was their way of going around the royal decrees that
prescribed for jewelry owners to declare their personal belongings, and jewelry
with religious theme was a way of getting around the restrictions.
Jewelry
designers during those times concentrated on making scapulars, relicario
pendants which were designed to protect the Agnus Dei seals made from wax, and
reliquaries which were labeled with the saints’ names and embroidered with gold
threads, among others. Modern-day tambourine necklaces are an off-shoot of the
early rosary designs which were created using the filigree technique.
Source:
By Ma. Glaiza
Lee
Manila
Bulletin - August 14,
2011
Irma
Bunachita’s fine jewelry collection is available at Handumanan souvenir shop
on the ground floor of Our lady of Assimption Shrine Convent
inside the Dauis Church complex.
Telephone: (038) 502-3016
on the ground floor of Our lady of Assimption Shrine Convent
inside the Dauis Church complex.
Telephone: (038) 502-3016
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Interesting history, great post!
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